Here’s my latest digital art composition, from photos taken with a film camera in the Castle Mountains in Montana back in 1993 or ’94. The building photos were taken in old Castletown, a site which may no longer be standing. I went back there in ’97, but the area had been fenced off with signs saying to keep out because it was private property, so it’s possible the site has been razed. I’d like to get back there some day to have a look. I really enjoyed hiking in the Castles back in the day, and there’s a great little fishing stream not too far away.
The photos are mine except for the starry sky and the wolves, which both came from Pixabay. The moon is an old photo of mine that I enlarged for this piece. The buildings and mountains were shot in the daytime, so I converted them to night images in Photoshop. Lots of layers, many of them adjustment layers, a few texture layers and quite a few masks used also. Had fun making this, which, for me, is the whole point of doing digital art. Enjoy.
Merry Christmas, everyone. I hope you have a great, wonderful day with your families and loved ones. In Laos, of course, Christmas is not a big deal, but next week’s New Year’s Eve and Day are celebrated by more people.
For today, I might ride my motorbike to visit Nai’s family, only about 5 miles away, but much of the journey is over a very bad, dirty, pothole-filled road. If I go, I’ll take some photos and try to get some of them posted in the very near future.
The school’s on break between terms until January 10th, so I’ve got plenty of time to work on my digital art. Here’s a recent composition I’ve been working on for what seems like forever. It’s entitled “Moonlit Desert City.” I’ve been adding and subtracting objects from it, fiddling with blend modes, shading and tones, and generally playing around with it. I’m still not satisfied with the results, so I’ll probably keep working on it. Anyway, here’s the most recent iteration. (P.S. That’s me on the far left with my eyes peeking out from the mask.)
Moonlit Desert City
I got to thinking about how I could improve my compositions. I came to the understanding that many of them didn’t have a focal point, something that would grab the viewer’s attention when the piece was first viewed. I think this is particularly true of “In the Hall of Masks.” (See previous post.) It’s a nice enough piece, but there’s really nothing for a viewer to latch onto. So I redid it by moving the right foreground character closer to the viewer and adding some glowing eyes. I think this strengthens the image. I also lowered the red saturation, which I felt was overdoing it, and I changed the text a bit. Here’s a look at the new image. I think it’s an overall improvement. What do you think?
I started something new today, doing Morning Pages as ideated by Julia Cameron. As Julia puts it:
“Morning Pages are three pages of longhand, stream of consciousness writing,
done first thing in the morning. . . [they] provoke, clarify, comfort, cajole, prioritize and
synchronize the day at hand. Do not over-think Morning Pages: just put
three pages of anything on the page…and then do three more pages tomorrow.”
The activity is akin to meditation (which I also do) and it’s supposed to help with clear thinking, better ideas and less anxiety (something I’m not prone to feel too much). The main reason I’m doing it is to boost my creativity, another benefit which other people have mentioned .
I usually get up around 5:15 a.m. and go jogging around 6:30. The writing takes about 30 minutes, so I can easily do it before pounding the road. The idea is to write three legal-sized pages (about 750 words) of . . . whatever. It’s stream-of-consciousness writing, so whatever you feel like putting on paper, do it. I’m the only one who’s going to read it, and after I finished writing this morning, I crumpled up the paper, without reading what I wrote, and tossed it into the trash. (That’s one of the suggestions, not to read what you write until you’ve been doing the practice for a while.) Then, keep doing it every day.
I’m going to give this a try for a length of time. How long, I don’t know. Some people have been doing it for years and swear by it, saying they can’t start the day without doing their morning pages. So, hopefully this helps my “muse.” I’ll let you know what happens. More later.
Here’s my latest digital art creation, “In the Hall of Masks.” I originally created this for Halloween, but I didn’t finish it until a few days after. Better late than never, eh?
The photos of the masks and the dancers are mine from 2003 and 2004, when I attended the Mask-Dance Festival in Andong, South Korea, where I was teaching English at the time. All the other elements are from Pixabay. I used different blending modes, lighting effects and I ran a merged version through Topaz Labs 2.
After posting this to Facebook in a couple of art groups I belong to, I came back to it a few days later and discovered a few things that I should have done differently. I think it’s too red, and I should have moved one of the dancers closer to the viewer to give the piece a main focus point. I’ll probably go back and rework it later. Until then, enjoy.
In the hall of masks
High Heat is a baseball term that describes a pitcher’s fastball. Here I extracted a couple of photos of players at the New York Yankees baseball academy near Boca Chica in the Dominican Republic. The player photos are mine, but everything else came from Pixabay. I tried to add a dispersion effect to the back of the baseball, without a lot of success. So, I ran it through a couple of PhotographyBB actions to get the final creation. I’m not entirely satisfied with this result, so I may do some work on the composition somewhere down the line.
Here’s a fairly simple new creation. The baseball players were at a short instructional camp in Santo Domingo in the Dominican Republic put on by the New York Yankees baseball academy, which is in Boca Chica. All photos are mine, the players at the camp and the Yankees academy in Boca Chica. I did a little processing of the photos and then extracted the players and added them to a photo of the academy. I merged the layers and ran them through a Photoshop action, PhotographyBB Powder Paint action.
Nothing too complicated here, just a few layers in Photoshop, but I like the effect of the action. More like a quickie finger exercise than anything, I suppose. Enjoy.
Here’s a black and white conversion of a somewhat bland color photo I took of a friend’s father. I think the b&w photo is much more interesting than the color. I added an overlay (the typography) to it, added a bit of a vignette, a color look up from Photoshop, made some adjustments to tone and shadow, added an orange warming filter to give it a vintage sepia look and ran the piece through Nik Silver Efex Pro2. What do you think?
Here’s the b&w conversion. See the original color photo below.
Here’s the original color photo.
Here’s my newest digital art piece, which I’m entitling simply “On the Farm.” All the photos are mine, from Morocco and Laos (the truck), except for the farm lady, which is from Pexels and the basket is from Pixabay. (I don’t know why these two links have lines running through them, which usually signify broken links, but both links are working correctly.)
I added a few textures, some blending options, a color lookup (all in Photoshop, of course), and I ran it through Studio 2 from Topaz Labs. I’ve always admired the paintings of Edward Hopper, and Studio 2 has an Edward Hopper look, which I applied to this piece. Enjoy.
On the Farm
My latest composition is titled “I Have No Mouth and I Must Scream,” which is the name of a horrifying short piece of speculative fiction by the late, great Harlan Ellison. It really is scary; it gave me nightmares for a few nights after I first read it back in the mid-70s or so. You can probably find it somewhere on the ‘Net or at your local library.
The model is me. It’s from a photo that I first used back in 2017. As a matter of fact, it was my first attempt at digital art.
The little robots or whatever they are, came from Pixabay, the model is me and the other background stuff is either from Pixabay or from the resources of my various digital art courses.
I added some various lighting effects and ran the finished product through a Topaz Lab plugin that I have.