Not every digital art composition is successful. When I post a piece, I’m usually satisfied with the results and ready to throw it out there for others to see. Though it may not be as artistic as it might be, I’m usually OK with “less than perfect,” whatever perfect means. (I don’t think there really is any such thing as perfect.)

But, there are compositions I’m not satisfied with and that I have resigned to the basement corner, so to speak, for whatever reason. Maybe the work has no focal point or it doesn’t tell a story or it just doesn’t suit me for a myriad of other possible reasons. So, I don’t post them. Below are a few that I began working on and then stopped, giving up on them. For now. I will probably revisit them at a future date.

Here’s one I kind of like, a nighttime desert scene. In fact, it’s posted on my blog and I may have put it up on Facebook, but I’m not satisfied with it. It’s pretty nice, I think, but there’s no focal point, no story in the making, nothing to really capture a viewer’s attention. I tried adding some figures to it, like a camel caravan or some marauders preparing to raid the city, but they just didn’t work out so I abandoned the piece. This is one, though, that I’m sure I’ll come back to eventually.

I once read an internet site that had photos of some amazing nighttime gardens from around the world. I thought I had bookmarked the site, but I can’t find it now. Anyway, I got inspired by the photos and decided to create my own night garden. Here it is below. It features a Van Gogh-style impressionistic sky and a weird looking, but actual, building in Bangkok. I got frustrated with it and stopped, but I’m sure I’ll get back to this one, too.

The next one has potential, but again, there’s no real focal point. It’s from a photo of some artwork for sale on a sidewalk in Boca Chica, Dominican Republic. I tried to add a tourist taking a photo, but that didn’t work out. I might come back to this one, too.

Finally, here’s one I probably won’t come back to, not without some extensive rework. It’s some buildings from Vientiane with an elephant walking in front of them. What’s the point, the story? Hmmm, probably won’t come back to this one.

The upshot is that not every composition is satisfactory to me and I have to learn why that might be so. Can I make them better, but not “perfect?” I’m sure I can. I’ll let most of them sit a while back in that dark corner of the basement and bring them out into the light later, dust them off and give ’em a go.